“David Read’s cinematography makes excellent creative use of the full tonal values of monochrome both to tell a story well and to enrich it. Spot colour provides effective highlighting used sparingly in the right context. But it is the pre-eminence of the darker, shadier world away from revealing light that he captures so successfully, creating a broody ambience, that sense of foreboding”
JAMES MACGREGOR FOR NETRIBUTION

“DP David Read … contributes a great deal to Room 36’s success with magnificently evocative monochrome 35mm cinematography that gives the film an otherworldly feel, an ambience out of time”
M J SIMPSON

“The black and white cinematography (with one colour scene and a couple of splashes of red) is great, while the film is shot through with disorientating angles and doomy shadows that occasionally make you feel like you’ve been transported to another planet.”
FUTUREMOVIES